Edgar Cayce, Jose Arguelles & The Arcturians

Edgar Cayce and Arcturians“Arcturus is the highest civilization in our galaxy,” said Edgar Cayce, a prophet who lived between the years of 1877-1945.

Further details of Cayce’s life and work are explored in the classic book, There Is a River (1942), by Thomas Sugrue.

The idea of an alien life form that has been visiting Earth from Arcturus is frequently associated with the writings of Edgar Cayce. According to Cayce, the Arcturians are a “fifth dimensional” lifeform. They are highly advanced both technically and spiritually. Arcturus is the name of a star some 37 light-years from the sun. It includes at least a half dozen planetary bodies and is many times larger and much older than our own star and its system.

Since his early writing of this race of beings, Edgar Cayce has been referred to the father of the Arcturians.  Today, many people have discovered the different way to communicate with the Arcturian beings.

Because Arcturians exist in different dimensions (not just the fifth dimension) it is now known that to communicate with the higher planes of existence, one must enter into a dream state.  In this dream state many believe that Edgar Cayce entered into direct communication with the Arcturians.

Today many people have claimed to have communicated with the Arcturians.  For example, Norma J. Milanovich is the author of the famousbook We the Arcturians, which explains the life style and way of life of these benevolent race of Arcturian Aliens.

The Arcturian legacy and mythology continues and although there are many reasons to believe that these beings are more than just a myth, we continue to explore the possibilities for compelling evidence.  Edgar Cayce gave us the doorway to enter into the universe of a vast existence.

In his book, The Arcturus Probe: Tales & Reports of an Ongoing Investigation, philosopher, Jose Arguelles, also examines the Arcturian involvement with our system which began over three million years ago when a space colony-a galactic way station-was established on Velatropa 24.4, otherwise known as Mars. With its 40,000-year warm cycles, Mars provided the perfect experimental way station. If anything went wrong, at least those on the Arcturus system would not be affected–or so it was thought.

But some of those in command of the Martian project had not considered carefully enough the inexorable efficacy of karma, the law of cause and effect. By the time strange events began to transpire on Mars, little did anyone on Mars or Arcturus reckon the dire consequences of forgetting about their mutual existence. Thus unfolds the tale of the Arcturian experimental way station.

In The Arcturus Probe, you’ll explore the tales of the Arcturus Probe through the transmission of the Mars experience to the neighboring blue planet, V.24.3, otherwise known as Earth, where a more cautiously and intelligently supervised “repeat performance,” as Arguelles tells us, is being played out in a continuing investigation of which we are all a part.

Edgar Cayce has said in his teachings that Arcturus is one of the most advanced civilizations in this galaxy. It is the fifth- dimensional civilization that is a prototype of Earth’s future. Its energy works as an emotional, mental, and spiritual healer for humanity. It is also an energy gateway through which humans pass during death and rebirth. It functions as a way station for nonphysical consciousness to become accustomed to physicality. The Book of Knowledge: The Keys of Enoch describes it as the mid-way programming center used by the physical brotherhoods in this universe to govern the many rounds of experiments with “physicals” at this end of the galaxy.

Arcturus itself is the brightest star in the Bootes constellation, which is approximately thirty-six light years from Earth.

Art by EHANI

The Arcturians teach that the most fundamental ingredient for living in the fifth dimension is love. Negativity, fear and guilt must be overcome and exchanged for love and light.

The Arcturians work in close connection with the ascended masters whom they call the Brotherhood of the All. They also work closely with what they refer to as the Galactic Command. The Arcturians travel the universe in their starships, which are some of the most advanced in the entire universe.

One of the reasons Earth has not been attacked by warlike negative extraterrestrials has been those civilizations’ fear of the advanced starships of the Arcturians. Their ships are state-of-the-art technology. One of the starships circling the Earth is called the Starship Athena, after the Greek goddess.

Arcturian society is governed by the elders, who are revered by the people of Arcturus for their advanced knowledge, wisdom, and extremely high vibrational frequencies. The higher the vibrational frequency, the closer one is to Light, or spirit, or God.

In the Arcturian system there are no extreme temperatures. Their civilization is one that has transcended duality and lives in oneness. Professions on Arcturus are determined by a person’s vibrational frequency and the colors in his or her aura. For example, those who are in charge of taking care of the children must have violet as the predominant color in their auras, for only the wisest souls are allowed to associate with the young.

The same is true for those who are allowed to give birth. They are screened and tested in terms of their auric and vibrational frequencies, and when chosen by the elders to give birth to an Arcturian child, people go through an amazing process. The vibrations of both individuals involved are raised to a seventh- dimensional frequency for the birthing process to insure bringing in the most highly evolved souls. (The seventh-dimensional frequency is that of an ascended master.) Reproduction is an honor on Arcturus and one of the most highly regarded professions. The actual reproductive act is not performed in a physical sense as it is understood on Earth. On Arcturus it is done through a kind of mind link in which the male and female energies are perfectly balanced. Through this procreation process, some kind of electron force flows through the two beings, and it creates another being that is a replica of the link.

The new life form is then taken to a special room that emanates the proper vibrational frequencies until the being is ready for integration into a family unit on Arcturus. Many beings from Arcturus are seeded onto other planets because the high council has ordered this as a great act.

On Arcturus there is not competition. Every thought, word, deed, and product is judged by its ability to raise the vibration closer to God. If it does not, it does not exist on Arcturus. A person’s frequency of vibration is directly related to the mastery he has over his body, emotions, thoughts, actions, and creations. Arcturians have total mastery over these aspects of self. They have developed the ability to transcend the ego, the separative, lower, fear-based self. Success is judged only in terms of the measure of Light frequency. There are machines that constantly check the vibrational frequencies each individual on the planet is manifesting. If one particular Arcturian receives feedback that he is not meeting his own goals for evolution, then immediately the elders send teachers to help that individual.

The Arcturian Starships

The Arcturian starships are the finest in the entire universe. They are propelled by crystals that do not come from that planet but from a planet in the Milky Way that has not been discovered by Earthly scientists. These crystals have a way of conducting light energy from the Great Central Sun.

The Arcturians say that they not longer use computers because they long ago outgrew the need for them. They have other systems that are far more advanced. One section of the starship is a replication of Arcturus. It has the ability to take any crewmember back to Arcturus in his etheric body. This helps to strengthen and rejuvenate crewmembers who are away from home for long periods of time as they traverse the universes. Earth’s frequency is very harsh for Arcturians because of their fifth-dimensional frequency.

Arcturians don’t eat but are able to ingest energy. The Arcturians sleep for only a short time once a week, but for them it is a sacred time to soul travel and connect to higher realms of consciousness.

Another room in the Arcturian starship has a complete data bank containing every aspect of Earth life and of life on other planets as well. Arcturians are able to ingest information by means of their telepathic abilities and through their nervous systems. This process is similar to ingesting food but it occurs on an energy level. They are able to assimilate information one hundred times faster than the average human being on Earth.

An Arcturian ship has a room that strengthens the vibration of all who enter so they will not be overwhelmed by even the strongest vibrations of Planet Earth. The Arcturians are able to travel through time. They also have shuttlecraft that are global in shape which are used for activating energy points and grids on Earth that have been lying dormant for many centuries. The Arcturians have been working with Earth since life first started on this planet. They have many bases on Earth, and they also have three bases on the Moon. Many of their bases on Earth are inside mountains. Arcturians can manifest physically, but they also exist in the etheric state, so physical matter is not an obstacle to them.

There is a vaporizing section in a starship that can instantly make any person or object disappear. They use it on a person only if he has died. The amazing thing about this machine is that whatever is vaporized can be resolidified at any time in the future just by checking the ship’s records. The more I learn about Arcturus, the more Star Trek seems realistic.

Many souls are brought to the Arcturian starships during the dream state where they are worked on and helped, although the Arcturians never invade a person’s free choice as the Grays are doing. The Arcturians are here to assist humans in entering the fourth and fifth dimensions of reality and in raising their vibrational frequencies. They stand as the guardians and protectors of higher consciousness in the universe.

They are based in every country on the planet and, and in fact, have bases all over the universe. They are here to educate humanity but have had a difficult time dealing with the government and the military, who are primarily interested in military technology, not spiritual enlightenment. The Arcturians could help in an even greater and more open capacity than they are now, but the people who govern the United States and the world are so materialistically and egoistically oriented that they resist the help of these incredibly advanced beings. Instead, the U.S. government made a deal with the Grays who are very selfish beings interested only in taking over the world for their own greedy purposes.

Source: Dr. Stone

The Cosmic Hologram: Beyond the Brain

Excerpt from The Cosmic Hologram by Jude Currivan PhD

Realizing that everything we call physical reality is the expression of the in-formational intelligence of cosmic mind completely reframes the question of human and indeed all consciousness and cognizance. The view of most neuroscientists has been that our consciousness somehow arises from the brain as a localized phenomenon. Just as a turbine generates energy, so the view goes, our brain generates consciousness—somehow.

That final “somehow” is crucial. While neuroscience has managed to map neural networks in the brain, identifying which areas light up during certain mental processes and progressively noting their holographic nature, there remains no mechanism for the integration of neuronal activities with the immaterial perception of self-awareness.

Based on numerous experimental data on the nonlocality of our consciousness, an alternative has been to view the brain instead as a computer: a receiver and transmitter of nonlocal information. However, with increasing discoveries and the emerging understanding of the cosmic hologram, the computer-brain-mind metaphor is also coming to be seen as too limited in its perspective. Not only does it fail to account for the inter-dimensional communications reported extensively by transpersonal experiencers, but—and even more fundamentally—it still implicitly suggests a duality between the physical world and consciousness.

Instead, the paradigm-shifting view of the cosmic hologram, which recognizes the actual immateriality of the physical realm and the ultimate unity of consciousness, is offering a new view of the brain and its purpose. By identifying the brain as playing an important role in the in-formational organization of the embodied awareness of human beings, it redefines each of us as a unique and microcosmic individuation of the intelligence of the cosmic hologram of our Universe, literally making us co-creators of reality.

Existence, Experience, and Evolution

Following Russian theatre director Constantin Stanislavski’s lead, acting coach Lee Strasberg introduced the idea of method acting to the United States in the 1920s. Such “method” immerses an actor in the personal identification of the role he or she is playing, often remaining “in character” not only when onstage or on a film set, but beyond.

As individuated consciousness, when we incarnate on Earth, most human beings also undertake a process of such acting, where, as spiritual method actors, we immerse ourselves in the drama of our lives. By identifying with the roles we play, and, as we’ve seen, the erroneous perception of materiality, we may marginalize or even forget our innate spiritual consciousness. The egos of our self-awareness instead immerse us in the perception that we’re separate, both from each other and the world around us.

The personas we inhabit during our lives are thus the lenses through which we perceive the Universe—how we relate to it and how it relates to us. So such method acting offers an intensity of presence, which our associated experiences could otherwise appear less “genuine” to us, and in the sense of the cosmic hologram, less creative in its universal manifestation of the nature of physicalized reality.

By being embodied within the holographic harmony of our Universe we are literally expressions of its creative learning. Through its inherent relativity, reflections, resonances, and ultimate resolutions, we microcosmically express its existence, experience, evolution, and emergence. Such a recognition not only reconciles but integrates the space-time experience of cause and effect with the spontaneous awareness of nonlocal consciousness that transcends physical reality.

Within space-time, the informationally entropic flow of time enables the choices and causes and effects of the life-learning expression of universal consciousness to progressively ensue. While, as an innately integral and non-locally connected entity whose consciousness ultimately transcends space-time, the experiential co-creativity of our Universe in-forms itself and the infinite plenum of cosmic mind. This majestic view of ourselves and our Universe reflecting that of ancient spiritual wisdom, offers us an expanded and newly articulated vision of reality, and our own roles in its unfolding, as being fundamentally purposeful and meaningful.

The Wrong Question

We’ve arrived at a point where, given the ubiquity of consciousness, it seems clear that asking who or what makes our Universe is the wrong question. For progressively, our scientifically based understanding is showing that there’s no “real” separation between maker and what’s made; the appearance of such division is solely the perspective from which individuated aspects of consciousness may view their own holographic imagery.
The eternal intelligence of cosmic mind finds a finite expression through the dynamic co-creativity of our Universe. Its existence, experiences, evolution, and eventual demise is as a unified and non-locally cognizant entity, one of the infinite such expressions of the Oneness of all that is, has ever been, and ever will be.

Thus, each of us is a microcosmic and unique expression playing our own co-creative role in the unfolding self-awareness of the consciousness of our finite Universe and ultimately of the infinite Cosmos. While this has historically been seen solely as a religious, or more correctly, a spiritual perception, this limitation is no longer the case. Instead, the emergent viewpoint of the cosmic hologram that scientific discoveries are increasingly revealing arrives at this same conclusion.

God isn’t “out there,” a creator of the Universe and its creations. Instead, the greatest breakthrough we may make as human beings in the twenty-first century is to recognize that we and everything that we call reality in all dimensions and realms of existence are God, or whatever term we choose for the infinity of cosmic mind, and that we are microcosmic co-creators of its ineffable reality.

The Cosmic Hologram: In-formation at the Center of Creation by Jude Currivan PhD describes how our understanding of the entire Universe is about to be transformed and crucially at the level of our everyday lives. It shows how the latest scientific discoveries across many fields of study and scales of existence are discovering that the information that upholds our technologies is exactly the same as universal in-formation that is physical reality.

She explains how our entire Universe is in-formed and holographically manifested; how quantum and relativity theories can at last be reconciled by considering energy-matter and space-time as complementary expressions of information and how the cosmic hologram underlies the true origin of species and our own evolution.

Pyramid Art, Synchronicity & Timelessness

Mark Dolamore

Mark Dolamore

By Mark Dolamore

The Pyramid will open your mind to the force of timelessness. It’s the most startling of three images, which is part of a triptych piece of systems art. The visually expressed calculation is a mathematical system employing a simple formula and this Jewel Mandala, designed to reconfigure binary coded data. These codes are expressed in identical form, but one is ancient and the other recent. So far so good… but, something very strange happens in the process. A level of meaning that shouldn’t exist is revealed. In other words, the art uncovers evidence for a timeless intelligence, irrevocably ensconced in our unconscious mindscape. The art came into being by developing my synergy with this force.

The Pyramid is different from any other art because it emerged from the Jungian observational phenomenon implicating feedback with a holistic force of change. You see, at a point in my late 20’s, my consciousness transformed over night to include synchronicity. The Pyramid emerged by assiduously pursuing it as a guide. If you want to make a start down that road yourself, check out my user interface: Papolona.guru.

Pyramid Art has all the characteristics of a language, but it’s not designed for idle chat. My psychological transformation allowed me to view all events holistically, as the expression of nature’s self organised intelligence, seen clearly through intuitive and freaky things, like déjà vu, synchronicity and such like. Albert Einstein said: “The intuitive mind is a sacred gift and the rational mind a faithful servant, but we’ve created a society honouring the servant that forgets the gift”. In my view, the collective amnesia is the result of a generalised conceit that prevents our individual genius from developing. It means in normal circumstances, we act like we’re in the thrall of a parasite, related to the force of mind I spoke of earlier. So, since Pyramid Art represents mathematical evidence we can align ourselves consciously by following synchronicity, to acquire synergy with that force of mind… I suggest it’s the paradigm shift humanity needs to pursue now, for civilisation to survive itself.

Great Art captures something unseen, if only as an impression. Pyramid Art goes one step further because it’s generated by a mathematical system and reveals something of potential use. It also supports the notion of a sublime state, within and beyond this world, an immortal force of mind we can tap into in real time, through what Carl Jung referred to as the Collective Unconscious. Pyramid art was produced by combining information that must have been placed by this force, in an obscure pair of binary code sequences. Conventional logic “knows” the Pyramid should be meaningless, yet it’s consistently meaningful at every level, and because it’s the result of guiding synchronicity and is also systematic and mathematical, it can only originate from the absolute source of beauty beyond our perception, the force of nature we think of as divine… Is God willing to teach us the art of alliance?

The centre of the Pyramid offers the clue. The arrow pointing east, with letter ‘N’, suggests a spiritual compass. The instrument points to an image representing a natural kind of feedback, known as the Butterfly Effect. The image is “drawn” as a signature, in one line, changing direction just four times and describing the beast in flight, with its four wings, body, head and antennae. Furthermore, when the arrow is turned to point north, the Pyramid now points west, symbolising modernity and innovation, while the central image transforms to the messianic symbol of the first and last letters of the alphabet.

The central component of the triptych, this Jewel Mandala or JM, is the crucial part of the formula. A mandala is a schematic arrangement of psychic archetypes, like the alchemists’ elements. Here they’re borrowed from an oriental philosophy. The JM was designed strictly following synchronicity. It’s also the window where the source codes are converted to symbols. These codes come from the I Ching, also known as “The Book of Changes”. The lower code strip of binary coded data contributes to the mathematical system as the most familiar hexagram sequence, named after King Wen. In contrast, the upper code sequence, by Richard Wilhelm, the index arrangement from his twentieth century translation, is unknown in its pictured form. Roughly three thousand years separates them and neither author could have deliberately hidden the Pyramid in his work… by which we can conclude, whether we like it or not, nature’s force of timelessness used or inspired their creative minds and manipulates every one of us, 24/7… so we are not and never can be free. But what if a creative alliance could be acquired? Try using Papolona.guru to tune-in and kick start yours.

Western civilisation, back in Roman times, celebrated feedback with nature in its conception of genius. Yet the modern scientific mindset has failed to formulate a theory connecting us to nature. It has no theory to explain how the mind works. That doesn’t prevent us from being intuitively inspired, though it must, inevitably limit us. In the effort to turn things around in this time of need, I expose my Pyramid as proof of my own alliance with nature’s timeless dimension. My art contains that unexplained kind of “genius”, which emerges via feedback in a way that can be traced back to its source.

The individuals who came up with the source codes for my Pyramid Art must have been influenced by the sublime beauty I speak of. If we trust life is the product of a benign universe, its purpose must be evolution through psychic re-connection, and with that, the prospect of spiritual immortality. However, one or two things are in our way. No matter how we may consider beauty to be a good thing, manipulation by an entity unseen, challenges our notion of justice, freedom and self awareness. It’s where the confusion about God, free will, the devil and our innate fear of the supernatural comes from.

Synchronicity brought me a coherent path of guidance, once I learned to follow it. The process began with difficulty. I was motivated to continue by trusting the timeless dimension as a holistic, creative agency that I felt I needed to align myself with. Since prehistoric times, until a few hundred years ago, when mankind, in his quest for truth and beauty, changed tack through the scientific method, a spiritual relationship to nature and the Gods, or the “Great Spirit” out there and within, was keenly sought by the brightest among us. That’s no longer the case, but maybe we should tack back some, reinvest ourselves spiritually, in light of my Pyramid discovery. After all, the motto inscribed at the spiritual source of Western civilisation, the temple of Apollo at Delphi, was the crux of the quest we must all subscribe to… “know thyself”. The Pyramid clarifies the labyrinthine confusion by knotting together threads of the puzzle; Eastern and Western, ancient and modern.

Nature’s creative force, its self organised intelligence, even in the modern context, can offer direction only when recognised and pursued. Science turns our heads away from such a course. Yet, logically, it’s imperative for the future of mankind we find synergy with nature. How do we intend to become receptive by using our currently undeveloped senses? Clearly, a perceptual upgrade is needed. Any of the Pyramid symbols suggests meaning, firstly through the cartoon-like image produced by the mathematical system, then as a combination of I Ching hexagrams. I have considered these things exhaustively, but feedback was responsible for revealing it all in the first place. Only your own experience of feedback with nature through synchronicity will allow you to appreciate and subscribe to this project. We all possess an unconscious link to timelessness, it’s a question of learning to exploit it.

In the 1980’s, science discovered a timeless force in the Quantum Field (QF), which unconsciously acts on the mind. More than 99% of the volume of our physical reality is QF nothingness within the atom. Our bodies contain zillions. In brain studies, there’s PET scan evidence to confirm something influences us before we even become aware of our own ideas. If the universe is the holistic quantum phenomenon science proclaims, then the mind must work as a function of it, connecting us unconsciously, to something eternal. If we are all aspects of nature’s self organised beauty, then we are not free at all… and what we think of as freedom is a delusion, a mirage constructed by our own excessively favourable opinion of our ability and importance, our conceit. The only true freedom we could attain, ironically, is a partnership with timelessness. I’ve shown, through my discovery of the Pyramid, the creative force of nature holds us in his thrall and awaits our conscious collaboration. That kind of synergy requires one decisive effort: relinquishing our mistaken concept of freedom.

Einstein, the archetypal genius and author of quantum theory said: “Intuition is the only real valuable thing.” He made best use of it to formulate his theories and transform our notion of reality. With first hand experience of synchronicity and a little fine tuning you too can transform yourself through the quantum dimension.

Changing our vision is far from easy, but note how the meaning of the central imagery of the Pyramid also changes when turned 90 degrees to point west. The compass image points north now and resembles the first and last letters of the modern, Roman alphabet, recalling the Alpha & Omega, first and last letters of the ancient Greek alphabet, badge of the Biblical Messiah. The butterfly soars above, having changed direction 180 degrees to fly west… so where did the 90 degrees extra gyration come from? Symbolically it represents transformed perception, acquired by allowing oneself to be lead synergistically.

The prospect of discovering nature’s hidden beauty moved me to embark on my quest. It culminated in the Jewel Mandala (JM), the middle image of the {{triptych}, so called because it looks like a gem. Each of the 28 lines represents two hexagrams. In addition, there are eight circles, representing hexagrams with identical upper and lower trigrams. The JM is the central component for unlocking the binary coded data. The importance of the JM was confirmed by apocalyptic synchronicity around the world, at the beginning and end of my creative time frame, over a long weekend. The first confirming event was the Michael Fish storm, which ravaged my homeland. This was followed, three days later, when the symbolism emerged, by Black Monday.

My artistic process pursued synchronicity to produce the Pyramid. From the beginning I had only faith some method to the madness would carry me through. Oscar Wilde said: “Life imitates art far more than art imitates life.” Sir Kenneth Clarke in his 1969 TV series Civilisation said: “All art is in one way or another about the search for God”. Albert Einstein said: “The intuitive mind is a sacred gift and the rational mind a faithful servant, but we’ve created a society honouring the servant that forgets the gift”. I think the Pyramid represents the cure for our collective amnesia.

You’ll be vaguely aware of the effects of timelessness in your dreams, déjà vu, Freudian slips, synchronicity, intuition and more. If channelling these things to a magical goal can work as it did in my case, then considering such effects seriously, as a form of guidance from nature, isn’t the madness it sounds, while the failure to do so is the real reason humanity’s in such a pickle.

I’m sure I’m not the first to experience the mind power of nature. I am however the first to bring forth mathematical evidence for my synergy. I’ve also devised a fun, fascinating and collaborative art work I invite you to join. It will help you tune-in to timelessness. It uses a form of synchronicity on demand, by harnessing fluctuations in the quantum field, via remote physics laboratory. It’s my contention, practising this art will develop your unconscious connection to nature, to surface in ways you currently cannot imagine. Feel free to join in at Papolona.guru. You can come back here any time and re-explore all the explanatory text links on the Pyramid Art button in the top menu.

Mark Dolamore now lives in France. In the mid 80’s, while living in London’s East end art ghetto, he underwent a “road to Damascus experience” that sent him to live in Sao Paulo, Brazil, on to Canada for a time and then back to Brazil before returning to Europe.